1990's

artists to consider

Cecily Brown (b. 1969 UK)

Lisa Yuskavage (b. 1962 US)

Laura Owens

Amy Sillman

Inka Essenhigh

Ellen Gallagher (b. 1965)

Maya Lin (b. 1959)

Nan Golden (b. 1953)

Roni Horn (b. 1955)

Mona Hatoum (b. 1955)

Sally Mann (b. 1951)

Shirin Neshat (b. 1957)

Cady Noland (b. 1956)

Carrie Mae Weems (b. 1953)

Fionna Banner (b. 1966)

Toba Khedoria (b. 1964)

Zoe Leonard (b. 1961)

Mariko Mori (b. 1967)

Catherine Opie (b. 1961)

Lorna Simpson (b. 1960) 

Sarah Sze (b. 1969)

Kara Walker (b. 1969)

Julie Mehretu (b. 1970)

Jenny Saville (b. 1970 UK)

publications

The Feminist Art Journal > begins in 1972

M/E/A/N/I/N/G feminist journal > Mira Schor and Susan Bee 

Sylvie Fleury (b. 1961 Switzerland)

Her work addresses the issues of shopping, and the paradigm of the new age.

Skin Crime 3 (Givenchy 318) 

Prada Shoes, 1998. Chromed Bronze 

After Mondrian

Piet Mondrian Dutch modern movement De Stijl from c. 1920'sSylvie Fleury @ Almine-Rech (contemporary gallery in Paris)

Mona Hatoum (b. 1955, Lebanon/UK)

Mona Hatoum explores a variety of different subject matter via different theoretical frameworks. Her work can be interpreted as a description of the body, as a commentary on politics, and on gender and difference as she explores the dangers and confines of the domestic world.[5] Her work can also be interpreted through the concept of space as her sculpture and installation work depend on the viewer to inhabit the surrounding space to complete the effect.

Grater Screen

Grater Cot

Hot Spot

Human hair works

Hair Weave with knots

A Bigger Splash 

Installed swings with street maps of 35 cities

Kim Dingle (b. 1951 American)

Study for Sucker Punches

Priss Room Bedroom installation

Wild Girls Under Blue Sky 

Dingle, Polka Dot Bow Tie > "Fudge" & "Fatty"

Kim Dingle website

Ann Hamilton (b. 1956, USA)

Indigo Blue, Charleston, SC 1991

Pinhole photography

tropos, DIA Foundation, 1993

 “turn,” “reaction, response,” “change,” “troposphere,” 

as used in the formation of compound words: tropophilous

Rachel Whiteread (b. 1963, UK)

Untitled, plaster, 1997

House, concrete, UK, 1993

Orange Bath, resin, 1993

Untitled (one-hundred spaces), 1997
cast resin negative spaces under chairs

Paperbacks, plaster, 1997, belongs to MoMA, NYC

Jenny Saville (b. 1970, UK)

Hyphen, oil on canvas, 1996

Jenny Saville = Paint made Flesh

Ida Appelbroog (b. 1929)

Emetic Fields, 1989

K-Mart Village II, 1989

Marginalia (strapped man), 1992

Ellen Gallagher (b. 1965 USA)

Pomp, BANG, 

Double Natural, collage, plasticine, ink, 2002

The gridded, collaged canvases of Gallagher's '90s works deal in eyes and lips borrowed from American minstrelsy, repeated as patterns across canvas. 

Ellen Gallagher, "Don't Axe Me"